![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
permissions code: had i not seen the sun

( find it here )
Chrissystriped is a prolific author on the SWG whose work spans characters and ages and topics. For Mereth Aderthad 2025, chrissystriped is writing for Shadow's presentation, "The Aromantic in Tolkien," and will be sharing a Third Age story that features Bilbo and Boromir as aromantic characters. Dawn spoke with chrissystriped about her story, her process as a writer, and the importance of representing aro-ace characters in fanfiction.
Since our first challenge back in 2005, Strong Women, the SWG has sought to establish a creative space where fanworks about characters from underrepresented groups aren't just welcomed but explicitly encouraged. Shadow's Mereth Aderthad 2025 presentation, "The Aromantic in Tolkien," is the perfect example of a fan-turned-scholar bringing forward a character identity that typically goes unseen and unacknowledged. Silmalope is the featured artist for Shadow's presentation, bringing their vibrant style and diverse character representations to the project. Dawn spoke with Silmalope about their inspiration as a creator of Tolkien-based fanworks, their connection to Shadow's topic on ace-aro characters, and the importance of diverse representation in fanworks.
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
The third kinslaying at Sirion is one of the most controversial and discussed moments in The Silmarillion by its fandom. But what makes this moment stand apart in a novel that Dr. Zara Ashkenazi-Khan describes as one of "spectacular violence"?
Saelind interviewed Zara about her upcoming presentation for Mereth Aderthad 2025, "Exile, Ruin and Resistance: Beleriand as Postcolonial Palimpsest." They of course discussed the third kinslaying and why it is "a moment of rupture ... [exposing] a faultline in the narrative’s presumed moral and civilisational order," but they also discussed how The Silmarillion is a text full of such breaking points, moral ambiguities in Tolkien's work, and the role of fanworks and scholarship both in revealing and understanding these complexities.
You can read Saelind's interview with Dr. Zara Ashkenazi-Khan here.